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| + | All indications are that the 108-minute American release of “The Grandmaster” is Wong’s work just as much as the earlier versions are. (The Chinese cut is available from Amazon on import DVD and Blu-ray, and no one who knows Wong’s work will be surprised if the rumored four-hour version appears one day as well.) If the storytelling is a mess it’s his mess, and anyway that’s never been where the appeal of his movies lies. As shot by Philippe Le Sourd (who has taken over for Wong’s longtime cinematographer Christopher Doyle), “The Grandmaster” is a series of masterfully composed tableaux and set-pieces, some of which happen to be fight scenes. It’s about Leung’s supremely contained performance as a man who loses everything except his sense of mission, and Zhang, who is if possible more beautiful than ever, playing a tragic heroine who gives up everything except her family’s honor. At one point Gong Er observes that people who claim they have no regrets are not facing the truth, an aphorism that might describe Wong’s approach to love, cinema and life. | ||
| + | Since I haven’t seen the 130-minute cut of “The Grandmaster” that opened in China last winter, or the slightly shorter international version that premiered at the Berlin Film Festival, I can’t discuss whether the recut version being released in the United States by the Weinstein Co., which is shorter still and features some new explanatory titles and narration, is a travesty. David Ehrlich of Film.com certainly thinks so, but to make things still more confusing, some of the scenes he describes as deleted from the American cut were actually in the film I just saw in New York. It’s always delightful to leap to the conclusion that Harvey Weinstein has picked a miraculous flower and crushed it in his blackened, Sauron-like fist, but it’s also important to remember that Wong is a compulsive, Henry James-like tinkerer who seemingly never arrives at a final version of his films. (As Ehrlich notes, Wong released a new edit of his 1994 “Ashes of Time” 14 years after its initial release.) | ||
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| + | Halfway through a recent ballet recital, Alissa Sizemore, 8, decided to show friends and family in Vernal, Utah, exactly why she chose Colbie Caillat's ballad Try ?C a song about feeling beautiful despite imperfections ?C for her first solo performance since a terrible accident changed her life last May. | ||
| + | Originally posted | ||
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| + | Lovato, 22, opened up about her boyfriend earlier this year to Cosmopolitan and spoke candidly about how he has stuck by her through tough times. | ||
Revision as of 05:13, 17 March 2019
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All indications are that the 108-minute American release of “The Grandmaster” is Wong’s work just as much as the earlier versions are. (The Chinese cut is available from Amazon on import DVD and Blu-ray, and no one who knows Wong’s work will be surprised if the rumored four-hour version appears one day as well.) If the storytelling is a mess it’s his mess, and anyway that’s never been where the appeal of his movies lies. As shot by Philippe Le Sourd (who has taken over for Wong’s longtime cinematographer Christopher Doyle), “The Grandmaster” is a series of masterfully composed tableaux and set-pieces, some of which happen to be fight scenes. It’s about Leung’s supremely contained performance as a man who loses everything except his sense of mission, and Zhang, who is if possible more beautiful than ever, playing a tragic heroine who gives up everything except her family’s honor. At one point Gong Er observes that people who claim they have no regrets are not facing the truth, an aphorism that might describe Wong’s approach to love, cinema and life. Since I haven’t seen the 130-minute cut of “The Grandmaster” that opened in China last winter, or the slightly shorter international version that premiered at the Berlin Film Festival, I can’t discuss whether the recut version being released in the United States by the Weinstein Co., which is shorter still and features some new explanatory titles and narration, is a travesty. David Ehrlich of Film.com certainly thinks so, but to make things still more confusing, some of the scenes he describes as deleted from the American cut were actually in the film I just saw in New York. It’s always delightful to leap to the conclusion that Harvey Weinstein has picked a miraculous flower and crushed it in his blackened, Sauron-like fist, but it’s also important to remember that Wong is a compulsive, Henry James-like tinkerer who seemingly never arrives at a final version of his films. (As Ehrlich notes, Wong released a new edit of his 1994 “Ashes of Time” 14 years after its initial release.)
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Halfway through a recent ballet recital, Alissa Sizemore, 8, decided to show friends and family in Vernal, Utah, exactly why she chose Colbie Caillat's ballad Try ?C a song about feeling beautiful despite imperfections ?C for her first solo performance since a terrible accident changed her life last May. Originally posted
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Lovato, 22, opened up about her boyfriend earlier this year to Cosmopolitan and spoke candidly about how he has stuck by her through tough times.